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Music from Behind the Lines

Music from Behind the lines by Cecil Coles

    Music from Behind the lines: Overture ‘The Comedy of Errors’, Fra Giacomo with Paul Whelan baritone, Scherzo in A minor, Four Verlaine Songs with Sarah Fox soprano, Fantastic in appearance, A slumber vast and black, Pastoral ‘Le ciel est, par-dessus le toit’, Let’s dance the jig, From the Scottish Highlands, Prelude: Presto scherzoso […]


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War Embers on CD

What are you doing on September 17 at 1pm?

Next Wednesday, September 17, at 1pm the Cramphorn Theatre in Chelmsford has an unusual lunchtime treat. My colleague David Chivers and I will present a programme on CD of attractive and unusual classics – 100 years  of music since the Great War. More information here http://www.chelmsford.gov.uk/lunchtimeconcerts or ring the Box Office 01245 606505. You will […]


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Your Colchester Classics Top 10 - many at £10*

Your Top 10 CDs on offer until 31 Dec 2014

Details compiled from sales January 2014 – August 2014. Prices shown do not include postage and packing. All prices correct at time of going to print and are valid until 31st December 2014.  *UK +P&P of £1.50 for the 1st CD (UK delivery) and 50p thereafter to a maximum of £3. Europe and Rest of […]


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Great British Orchestra Classics 241-28

GREAT BRITISH ORCHESTRAL CLASSICS

GREAT BRITISH ORCHESTRAL CLASSICS This 2-CD compilation brings together some cherished British music in top-quality recordings from world-class orchestras.     The performances that stand-out are the BBC Philharmonic playing Eric Coates March The Dam Busters and Dawn from Benjamin Britten’s Four Sea Interludes performed by the Ulster Orchestra. If you are looking to augment your […]


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Herbert Howells Stabat Mater

“Herbert Howells occupies a special place in English choral music …”

“Herbert Howells (1892-1983) occupies a special place in English  choral music as the composer of fresh, 20th-century approaches to the Anglican rite and as the creator of larger-scale works, the last of which, his Stabat Mater, he completed for the Bach Choir in 1965. Here, David Hill uses a score marked up by Howells with several radical tempi changes that […]


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